Furniture Pimp : Jim Walrod

Ettore Sottsass Hsing Vessel from The Pop Series, Model 456

Stools After Jean Prouvé 1985

Kim Moltzer & Jean Paul Barray Coffee Table 1965

Guy de Rougemont Wall Mounted Console

On May 3rd Wright presents The Collection of Jim Walrod at auction. Comprised of 250 lots of art, design and objects from Jim’s personal collection, the sale is a celebration of a man who collected everything and knew just as much. 

Jim Walrod’s eye was legendary. Mike D of the Beastie Boys called him his ‘Furniture Pimp’ in sincere gratitude of his talents as a designer and in appreciation for the breadth of his knowledge. Clients worldwide—from David Bowie to André Balasz—sought his unparalleled expertise. Although Jim saw his role as a guide, aiding clients in finding their own distinct eye, it was his unique vision that shaped so many others.

His career began after a chance meeting with Andy Warhol led Jim to work for Fiorucci, the legendary style makers. There he was introduced to the radical designs of Ettore Sottsass and the Memphis group, as well as the key members of the New York art world. In 1987, Jim entered the New York art scene with his first gallery on Lafayette. He opened Form & Function in 1998, which became a mainstay for those looking for expertly curated vintage design. He remained true to his unique vision throughout his career, later lending his expertise as an interior designer, adviser and curator. With exhibitions at R & Company and Patrick Parrish gallery, Jim shared his collecting vision with an even wider audience.

Jim’s beloved Chinatown loft always remained the truest expression of his remarkable collecting vision. Works by friends were placed alongside modern icons creating an interior rich in dialog. Never one to shy away from a challenge, Jim sought works labeled as ugly or incompatible. And it is those experiments that make his collection so wonderfully rare and unique. Jim shared glimpses of this extraordinary space with friends, followers on social media and clients. Sourced from numerous locations, he was proud of his finds, whether it was a rare book or piece of radical lighting. Each cherished object was thoughtfully selected and likewise showcased within his interior.

This collection celebrates a rare collecting vision without boundaries. Each object was assembled with a singular appreciation of its aesthetic, regardless of the value to the outside world. As Jim was known to say: “Time is the only real critic that matters”. ~via Wright 20

*Our friend Jim is deeply missed*

This Is The House That Jack Built

jack

There’s a new book on my radar and I want to share it with you.  “This is the House That Jack Built” named from the nursery rhyme, gives us a look at the contemporary art and design collection of the very private art collector, Maja Hoffmann.  Art directed by Beda Achermann and photographed by François Halard, both have created images of Hoffman’s collection located in her homes in tight vignettes with text of the nursery rhyme  woven throughout the book.

“This Is The House That Jack Built” plays down Hoffmann’s actual houses while (like the nursery rhyme) conveying the centrality of the idea of home, yet one is struck by the breathtakingly original interiors furnished with the best examples of 20th-century design. Hoffmann’s eye for architecture and furniture is as discerning as it is for paintings, and she manages to create spaces where the art, despite its importance, doesn’t overshadow the life of a room. ~T Magazine

Get a good look of the book here.